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李娜喜欢浪漫，他总是期待在每年的情人节、520、七夕节等节日收到张强的礼物和认可。张强虽然不善于表达，但还是尽量满足李娜的愿望，给他买鲜花、巧克力、首饰等礼物，或者带他出去吃饭、看电影、旅游等等。
白川个展——
虎的迷路
策展东说念主：李子健
艺术总监：滕青云
主理：三影堂厦门照相艺术中心
延期：2023.09.23 - 10.29（周一闭馆）
地址：厦门阛阓好意思区杏林湾营运中心2号楼裙楼三层
● Please scroll down for English
咱们可能几许齐有过访佛的经验，在某一个一霎忽然感受到隆重的事物变得无比生分：约会上的欢声笑语酿成了不测旨的杂音，隆重的亲一又仿佛成为外东说念主；在相册中看到料思之外的合影，仿佛我方的系念是一场骗局; 或者在梦里，意志到我方零丁于我方的黑甜乡。这些“局外东说念主”的时刻，巧合在请示着咱们，由咱们隆重的国法和感性所组成宇宙仿佛被咱们本人所拒却。
选自《始于爱情，终于疫情》系列
皇冠假日酒店官方网站This Animal Year Series
白川的这一系列作品《始于爱情，终于疫情》拍摄了12年，当先选拔虎头面具的原因也很通俗，虎等于他的属相。这个凶煞的老虎面具随同着他经验家庭变故，见证家乡的变化和处事的发展，以及目击无数琐碎的浩荡片断。展览的主体即是由这一系列相片组成的系念长廊，莫得具体的技能和东说念主物陈迹，就像咱们陡然堕入回忆时那般，过往的时刻就地地透露。
选自《始于爱情，终于疫情》系列
This Animal Year Series
选自《始于爱情，终于疫情》系列
This Animal Year Series
在这些相片里，虎头多数由他带领，有时也会是拍摄现场中的别东说念主，虎头面具掩蔽了一切款式，岂论是在何种情境，苛虐的虎头东说念主老是窘态地盯着镜头，时而举起手枪对向我方。这无疑成为了这一系列相片中合手续的刺点，将那些仅属于私东说念主的时刻，千里闷的社会庆典和追到的情态完全抵赖。
咱们在相片中看到的，是一种令东说念主惊叹的隆重的生分感。家庭合影，约会相片，旅行迷恋，这些在这个时间的咱们齐大齐领有的相片，在白川的演绎下变得生分。相片中的带着虎头的东说念主似乎零丁于相片的时空除外，仿佛一个闯入的外东说念主，拒斥着国法和惯习，新2代理篮球或是潜藏着被摄者的情态。从这个角度而言，我在白川作品里看到的，是他对那些在他性掷中不可捉摸的客体或遭逢的痴迷，并以照相的容颜，去唤起他们的积极回答。
选自《始于爱情，终于疫情》系列
This Animal Year Series
选自《始于爱情，终于疫情》系列
This Animal Year Series
“咱们如故瓜剖豆分，因而不成条目外东说念主和会于此，更不成追缠他们，而是将他们迎入怪怖之中，因为这种怪怖既属于他们又属于咱们。”克里斯蒂娃在《咱们本人的外东说念主》中征引弗洛伊德的讲解去刻画主体与外东说念主遭逢时的异样感受，这种生分的感受并非是因遭逢外东说念主，而是从根蒂上，来自于咱们本人里面，那些掩盖的，咱们关于本人的生分。在白川提升一旬的照相迷路中，他呈现即是如斯的遭逢，那些在生分和稔熟之间，迷东说念主的刺点。
● 文/李子健
艺术家
欧洲杯开几年一次白 川
白川，照相师。
稳定展览：5PRCITY, United Nude Miami,迈阿密，好意思国（2010）；The Sixth International Month of Photography in Moscow: Photobiennale 2006，莫斯科，俄罗斯（2006）；个东说念主展览《爱你比海深》，第二届连州海外照相年展，连州（2006）；个东说念主展览《许竹》、《通说念》，第一届连州海外照相年展，连州（2005）。
Bai Chuan's Solo Exhibition -
Tiger, the Uncanny
Curator:Li Zijian
Art Director:Teng Qingyun
Organiser:Three Shadows Xiamen Photography Art Centre
Duration:Sep 23, 2023 - Oct 29, 2023
Venue:3rd Floor of Building 2, Xinglinwan Business Centre, Jimei District, Xiamen
We have all experienced moments where the familiar suddenly transforms into an overwhelming sense of uncanny strangeness. Laughter and merriment at parties can become meaningless noise, close friends and loved ones appear as strangers, and unexpected group photos in an album make one question the authenticity of his or her memories. These moments of feeling like an outsider are reminders that the world, constructed by the rules and rationale we are accustomed to, is somehow rejecting us.
选自《始于爱情，终于疫情》系列
This Animal Year Series
Over the course of 12 years, Bai Chuan created his series \"This Animal Year\". His initial choice of the tiger mask was quite simple – the tiger is his Chinese zodiac sign. This foreboding tiger mask accompanied him through the ups and downs of life, witnessing family upheavals, changes in his hometown, career developments, and countless mundane moments in daily life. The core of this exhibition is a memory corridor comprised of this series of photographs, devoid of specific timestamps or character clues. It's akin to suddenly getting lost in memories, with moments from the past randomly flooding in.
选自《始于爱情，终于疫情》系列
This Animal Year Series
选自《始于爱情，终于疫情》系列
This Animal Year Series
In these photos, most often, it's Bai Chuan himself donning the tiger mask, while at times, others are in the midst of a photo shoot. The tiger mask obscures all facial expressions, and no matter the context, the fierce tiger-headed figure always gazes numbly into the camera, sometimes even pointing a gun towards herself or himself. Undoubtedly, this constant element has become a punctum throughout the series, negating the private moments, somber social rituals, and poignant emotions. What we see in these photos is a strangely familiar yet surprising sense of uncanny strangeness. Family portraits, party snapshots, travel souvenirs – the photos that many of us possess abundantly in this era all become unfamiliar under Bai Chuan's interpretation. The tiger-headed individuals in the photos seem detached from the time and space within the images, almost like intruders rejecting norms and customs, or concealing the emotions of those being photographed. From this perspective, what I discern in Bai Chuan's work is his fascination with objects or encounters that elude his grasp in life, and his endeavor to evoke their positive responses through photography.
选自《始于爱情，终于疫情》系列
This Animal Year Series
\"Freud brings us the courage to call ourselves disintegrated in order not to integrate foreigners and even less so to hunt them down, but rather to welcome them to that uncanny strangeness, which is as much theirs as it is ours.\" As Julia Kristeva quote Freud in \"Strangers to Ourselves\" when the subject encounters strangers, the feeling of strangeness doesn't stem from the encounter with others but fundamentally arises from within ourselves, from those concealed aspects of ourselves that remain unfamiliar. Throughout Bai Chuan's decade-long photographic journey, he indeed presents the encounters of this nature - those punctum between the unfamiliar and the familiar.
一位知名因在皇冠上下赌注曝光，面对舆论压力不得不发布一份公开道歉信。（点击可跳转至线上艺术商城）
艺术维C，一家融自媒体、艺术策展、艺术储藏的新式艺术平台。专注搭建艺术家与人人之间的桥梁，挖掘孵化具有立异精神的艺术家，培养新时间藏家，现在已领有全网百万精确高质料用户，旗下艺术品均来自国内一线好意思院行家巨擘认证。
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